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When painting a portrait, I think it is imperative to produce the physical likeness and attributes of the subject but what is just as important is to capture the person's spirit, whether that person be an adult whose life story may be embedded in their facial feature or a very young child whose personality is less forthcoming We often talk about the notion of 'the aura' in the artworld and I think this is particularly applicable to portraiture; as cheesy as it may sound, the eyes really do need to come alive, follow you around the room, tell a thousand stories. Portraiture should be charmingly haunting.
When painting a portrait, I think it is imperative to produce the physical likeness and attributes of the subject but what is just as important is to capture the person's spirit, whether that person be an adult whose life story may be embedded in their facial feature or a very young child whose personality is less forthcoming We often talk about the notion of 'the aura' in the artworld and I think this is particularly applicable to portraiture; as cheesy as it may sound, the eyes really do need to come alive, follow you around the room, tell a thousand stories. Portraiture should be charmingly haunting.
Chris
50cm x 40cm. Oil on Canvas
Sheila Hancock
70cm x 50cm. Oil on Canvas.
Her Majesty (shortlisted for the Diamond Jubilee Portrait Competition)
70cm x 50cm. Oil on Canvas.
Dr. Vecht
60cm x 45cm. Oil on Canvas. Sold.
Ian
50cm x 50cm. Oil on Canvas. Sold.
Terry
170cm x 120cm. Oil on Canvas.
Pre-Raph 1
30cm x 20cm. Oil on canvas.
Pre-Raph 2
20cm x 20cm. Oil on Canvas.
Pre-Raph 3
20cm x 20cm. Oil on Canvas.
Arriving 1
70cm x 50cm. Oil on Canvas. Sold.
Arriving 2
70cm x 50cm. Oil on Canvas. Sold.
Self Portrait Triptych
Each 10cm x 10cm. Oil on Canvas.